Showing posts with label carmina burana. Show all posts
Showing posts with label carmina burana. Show all posts

Saturday, 4 April 2020

Carmina Burana, appendix 13: an Easter play.


The Carmina Burana does not only contain songs, parody and revelry, but also religious drama. It has an appendix with a number of such texts – remember that the Carmina Burana is first of all a manuscript, a physical object, and not a collection of texts on internet or music by Carl Orff. One of these is a drama with texts mainly taken from Matthew 26 and 27, to be performed on Good Friday. The actors were priests and lower clergy. Such liturgical dramas served as a re-enactment of stories from the gospel, especially Christmas, Easter and Ascension. For more details see the link at the end. This ludus, dated between 1250 and 1300, is not a highlight of mediaeval literature, but it was never meant to be. Instead, it gives us a glimpse of religious practise. There is no translation, but those in dire need can take a Bible at hand. Note the differences between the Gospel text and this play.

Carmina Burana, Appendix 13

Ludus breviter de passione primo inchoatur ita. Quando Dominus cum discipulis procedere vult ad locum deputatum, ubi mandatum debet esse, et in processu dicant apostoli ad Dominum:
Ubi vis paremus tibi comedere pascha?

breviter (adv.) short (to be taken with ludus: play in the short way)
inchoo: (-are): to begin
quando.. .Dominum: this and the other cursive sentences are stage direction, partly taken from Matthew, but also containing specific directions for an actor.
deputatus: destined
ubi mandatum debet esse: `where what has been ordered has to take place’. Mandatum: the ritual of foot washing performed by the priest on Whitsun Thursday.
dicant: note the  use of the subjunctive in the stage directions: they must say, etc.
paro (-are): to prepare
comedo comedi comesum: to eat
pascha: the feast of Passover

Et Dominus respondet:
Ite in civitatem ad quendam et dicite ei: Magister dicit: «Tempus meum prope est; apud te facio pascha cum discipulis meis».

ad quendam: to some person
prope: near

Et in deputato loco faciant mensam parari cum mensale, cum pane et vino. Et Dominus discumbat cum duodecim apostolis suis, et edentibus illis dicat:
Amen dico vobis, quia unus vestrum me traditurus est in hac nocte.

faciant mensam parari : they must make a table to be prepared = they (the clergy in charge of preparing the scene ) must take care that a table is set ready.
mensalis –is (n.); table-service
trado tradidi traditum: to betray

Unusquisque pro se respondet:
Numquid ego sum, Domine?

unusquisque: each one
numquid: question particle expecting a negative answer

Et Dominus respondet:
Qui intinguit mecum manum in parapside, hic me tradet. Filius quidem hominis vadit, sicut scriptum est de illo. Ve autem homini illi, per quem filius hominis tradetur; bonum erat illi, si natus non fuisset homo ille.

Intinguo intinxi intinctum: to dip
parapsis (paropsis) –idid (f.): dish
quidem: certainly
vado vasi (-ere): to go
ve (vae) (+dat.): woe unto

Respondet Iudas:
Numquid ego sum, Rabbi?

Et Dominus dicat:
Tu dixisti.

Tunc medio tempore vadat Iudas ad pontifices et ad Iudeos et dicat:
Quid vultis michi dare, et ego vobis eum tradam?

medio tempore: in the meantime (stage direction!)
michi = mihi

At illi constituant ei:
Triginta argenteos.

constituo constitui constitutum: to agree

Et ista hora accipiat Dominus panem, frangat, benedicat et dicat:
Accipite et comedite, hoc est corpus meum.

panis – is (m.) : bread
frango fregi fractum: to break

Similiter et calicem. Et postquam cenavit, Dominus dicat:
Surgite, eamus hinc; ecce appropinquabit, qui me tradet.

similiter: in the same way
calix –icis (f.): bowl, chalice
ceno (-are): to eat
surgo surrexi (-ere): to arise, stand up
hinc: hither
approquinquo (+ dat.): to approach

Et Iudas accedens ad Iesum clamando dicat:
Ave, Rabbi!

clamando = clamans

Et osculando irruat in eum. Tunc Donimus dicat:
Amice, ad quid venisti?

osculor osculatus : to kiss (osculando = osculans)
irruo irrui: to rush

Iudei et milites accedant ad Dominum et manus iaciant in eum et teneant eum. Et ita ducant eum ad Pilatum. Tunc discipuli omnes relicto eo fugiant. Et accusent eum coram eo in tribus causis et dicant:
Hic dixit: Possum destruere templum Dei et post triduum reedificare illud.

manus iaciant in eum : throw their hands on him
teneo tenui (-ēre): to grasp, hold fast
relicto eo: he being left = leaving him
accussent: the Jewish priests
coram (+abl.): in the presence of
causa: complaint, cause
triduum: three days
reedifico (-are): to rebuild (note the spelling e for ae: reaedifico in Classical Latin. Also Cesari for Caesari)

Secundo:
Hunc invenimus subvertentem gentem nostram et prohibentem tributa dari Cesari et dicentem se Christum regem esse.

invenio inveni inventum (-ire): to find out, discover
subverto  –versi –versum (-ere) : to destroy, corrupt (cf subversive)
prohibeo –hibui –hibitum (-ere): to prevent, prohibit
tributum: tax, tribute

Tertio:
Commovit populum docens per universam Iudeam et incipiens a Galilea usque huc.

commoveomovimotum (-ēre): to stir up, agitate
incipio –cepi  -ceptum (-ere): to start, begin
usque huc: till here

Tunc Pilatus respondet:
Quid enim mali fecit?

Dicant Iudei:
Si non esset malefactor, non tibi tradidissemus eum.

malefactor –oris (m. : evil-doer

Respondet Pilatus:
Accipite cum vos et secundum legem vestram iudicate eum. Ego nullam causam invenio in hoc homine. Vultis ergo, dimittam regem Iudeorum?

accipio -cepi –ceptum (-ere): to take, receive
secundum: according
causa: guilt
dimitto dimisi dimissum (-ere): to release, send away

Iudei clamando dicant:
Non, sed crucifigatur.

Et clamando magis dicant:
Crucifige, crucifige eum!

magis: more

Et Pilatus respondet:
Accipite eum vos et crucifigite!

Dicant Iudei:
Non, nos legem habemus, et secundum legem debet mori, quia filium Dei se fecit.

Respondet Pilatus:
Regem vestrum crucifigam?

Tunc dicant pontifices:
Regem non habemus nisi Cesarem.

Et Pilatus accipiat aquam et dicat:
Mundus sum a sanguine huius iusti; vos videritis.

mundus: clean, innocent

Et baiulet sibi crucem, et ducant eum, ubi crucifigatur. Tunc unus ex militibus veniat cum lancea, tangat latus eius. Tunc ipse Dominus in cruce alta voce clamet:
Ely, Ely, lema sabactani: Deus <meus>, Deus meus, ut <quid dereliquisti me?>

baiulo (-are): to carry a burden
latus lateris (n.): flank
altus: high, loud
derilnquo –liqui –lictum: to forsake

Tunc Maria mater Domimi veniat et due alie Marie et Iohannes. Et Maria planctum faciat quantum melius potest. Et unus ex Iudeis dicat:
Si filius Dei es, descende nunc de cruce!

due = duae: two
aliae Mariae: Maria Magdalena and Maria the mother of james
planctus –us (m.): beating of the breast, lamentation
quantum melius: as good as

Alter Iudeus:
Confidit in Deo; liberet eum nunc si vult.

alter: second
confido –fisus sum (-ere): to trust

Item tertius:
Alios salvos fecit, seipsum autem non potest salvum facere.

salvum facio : to rescue
seipsum: him self

Et Dominus dicat:
Consummatum est.

consumo –sumpsi -sumptum: to consume,  fulfil

Et:
In manus tuas commendo spiritum m<eum>.

Et inclinato capite emittat spiritum. Tunc veniat Ioseph ab Arimathia et
petat corpus Iesu. Et permittat Pilatus. Et Ioseph honorifice sepeliat eum.

inclino (-are): to bend, incline
peto petivi petitum: to ask
sepelio seplivi (-ire): to burry

Et ita inchoatur ludus de resurrectione.

i.e. the next play, which is to performed at Sunday.
As the next line suggest, this text was spoken aloud.

Pontifices:
O domine, recte meminimus.

pontifices: the officiating priests during the performance and mass
memini: to remember





Sunday, 2 June 2019

Carmina Burana 162: summer holliday.


Within a few weeks students at universities will have their well-deserved holiday and can put their books aside for eight weeks. The end of an academic year is not only a relief for modern students, but also for their consocii in the Middle Ages. No wonder that a number of mediaeval student songs address this theme: time for Venus and Bacchus! The following song is an example of this, but unfortunately the melody is not or just poorly notated. Between the lines it gives us also a glimpse of the poor conditions of students. They had to pay cash for every lecture, so little money was left for food and drink. Only during the period the universities were closed they could afford wine: Bacchus instead of Neptune (= water) and away with tristis ieiunus! Till the university opens again…

Carmina Burana 162

O consocii,
quid vobis videtur?
quid negotii
nobis adoptetur?
leta Venus ad nos    iam ingredietur,
illam chorus Dryadum sequetur.

O vos socii,
tempus est iocundum,
dies otii
redeunt in mundum;
ergo congaudete,    cetum letabundum
tempus salutantes <ob>  iocundum.

Venus abdicans
cognatum Neptunum
venit applicans
Bachum oportunum,
quem dea pre cunctis    amplexatur unum,
quia tristem spernit et ieiunum.

His numinibus
volo famulari!
ius est omnibus,
qui volunt beari;
que dant eccellenti    populo scolari,
ut amet et faciat amari.

Ergo litteris
cetus hic imbutus
signa Veneris
militet secutus!
exturbetur autem    laicus ut brutus!
nam ad artem surdus est et mutus.

As a bonus this song in Middle-high German

162a

Svoziv vrowe min,
la mih des geniezen:
du bist min ovgenschin.
Venus wil mih schiezen!
nu la mih, chuniginne, diner minne niezen!
ia nemag mih nimmer din uerdriezen.

My sweet lady,
let my enjoy this;
you are the shine of my eyes.
Venus wants to shoot me!
Now let me, queen, have your love!
Yes, I can never have enough of you!

(may be lines 2 and 4 must be exchanged.)

consocius: fellow
quid vobis videtur: what are your plans (some scholars read nobis for vobis)
negotium: affair, business
adopto: to choose
ingredior ingressus: to approach
leta = laeta
chorus Dryadum: choire of Nymphs, i.e. a band of maids
iocundus: joyful
otium: leisure
cetus = coetus: a coming together, (sexual) union, company (so in 5.2)
letabundus: full of joy
ob must be inserted, both for metrical reasons and for making sense of tempus iocundum, so salutantes cetum letabundum ob tempus iocundum
abdico: reject
cognatus: kinsman
Neptunum: as the god of the sea, he is stand for water
applico: to join
oportunus: friendly
prae cunctis: above all others
amplexo: to embrace
sperno sprevi spretum (-ere): to despise
ieiunus: fasting (to be taken with tristem)
numen numinis (n.): god
famulor: to serve
beor: to be happy
que = quae
eccellenti = excellenti: thanks to their learning students and scholars felt superior to the uneducated masses, as is lo clear in stanza 5
imbutus: steeped in
signum: banner
exturbo (-are): to expel, thrust out
ut brutus: as being stupid
artem: i.e. the art of love
surdus: deaf



Monday, 5 March 2018

Carmina Burana 138: spring!



Poem 138 of the Carmina Burana celebrates the coming of spring. It is full of cliché’s: flowers, the nightingale, young maidens, forests and of course lust and love. But what is offered as a simple song in editions without a critical apparatus, is the result of much editing. I have taken the text as presented by the edition of Hilka and Schumann (Berlin, 1941) and added some critical notes. As a bonus I have included 138a, which is a Middle High German poem.

Carmina Burana 138

1.
Veris leta facies                     ver veris (m): spring; leta = laeta
mundo propitiatur,                has mercy for
hiemalis acies                        acies (f.): sharpness
victa iam fugatur.                  now defeated is driven off
in vestitu vario                      vestitus us (m.): dress
Flora principatur,                  principor: to rule
nemorum dulcisono              nemus oris (n.) wood; sweet sounding
que cantu celebratur.             Flora que (= quae)

2.
Flore fusus gremio                 Florae; pouring out; gremium: lap
Phebus novo more                 Phebus = Phoebus: the sun
risum dat, hoc vario               risus us (m.): laughter
iam stipate flore.                    In this variety of crowded flora
Zephyrus nectareo                 western breeze
spirans it odore.
certatim pro bravio                in rivalry; for the prize of victory
curramus . . . . . . ore!
 
3.
Litteratos convocat                students
decus virginale;                      decus oris (n.): beauty
laicorum execrat                    curses (execrat = exsecrat, subj: decus)
pectus bestiale.                      pectus oris (n.) breast
cunctos amor incitat,
per iubar estivale;                  iubar is (n.): beam, of summer
Venus se communicat            declares herself
numen generale.                    deity of all
 
4.
Citharizat cantico                  accompanies
dulcis philomena;                  nightingale
flore rident vario
prata iam serena;                   bright meadows
turba salit avium                    a mass of birds hops
silve per amena;                     through the delightful things of the forest
chorus promit virginum         brings forth
iam gaudia millena.               thousenfold

Some textual notes.
1,2 propitiatur: propinquatur (to come)  has been suggested as a better reading
2,3 hoc: some editions follow the reading hac
2,4 may be the point after flore must be deleted
2,8 the lacuna has been variously filled: in amore, cum ardore, et honore.
3.4 pectus: pecus (herd, crowd) seems a better reading
3,6 and 3,8: some editions have the order of these lines reversed
3,8 ut numen generale? Another reading is nomen

138a

In liehter varwe stat der walt,
der vogele schal nu donet,
div wunne ist worden manichvalt;
des meien tugende chronet
senide liebe; wer were alt,
da sih div çit so schonet?
her meie, iv ist der bris geçalt!
der winder si gehonet!

In bright colour stands the forest,
the voice of birds now sounds,
desire has become multiple:
the art of May crowns
longing love; who is so old,
that he doesn’t care for this season?
Lord May, you have got the prize!
Winter must be taunted!

Song 138 of the Carmina Burana is used by Orff in his setting, with the exception of strophe 3.

https://www.youtube.com/watch?v=hoq3UbFlB90

Saturday, 3 June 2017

Carmina Burana 93: the maiden's garden.



Inspired by a short holiday in Germany and having visited various castells and ruins, I am reading now a book about daily life in the Middle Ages `Alltagsleben im Mittelalter’ by Otto Brust.  I am not a mediaevalist and don’t ask me the finesses of all the feuds, wars, royal lineages and so on, but I like to read books about the Middle Ages now and then. In the chapter on women, Borst remarks that in the Carmina Burana a woman is just an object for male desire and satisfaction of lust. True, I think, but on the other hand there is some poetic convention in these love poems.

When in a poem the garden of a virgin is mentioned, sited on an island, one doesn’t need to be an expert in Freudian analyses to realise that the poet is of course not talking about a real garden.

Carmina Burana 93

1.
Hortum habet insula    virgo virginalem.
hunc ingressus, virginem    unam in sodalem
spe robustus Veneris    elegi principalem.

2.
Letus ergo socia    elegantis forme
– nil huic laudis defuit,    nil affuit enorme –
cum hac feci geminum    cor meum uniforme.

3.
Est amore dulcius    rerum in natura
nichil et amarius    conditione dura:
dolus et invidia    amoris sunt scissura.

hortum virginalem : a virginal (i.e. untouched) garden
insula: best taken as ablative: (in) insula, given that it is the correct reading, as the text has the meaningless infula.
ingredior ingressus: to enter
virginem unam in sodalem spe robustus Veneris elegi principalem = spe rubustus Veneris elegi virginem unam in sodalem principalem:  strengthened by hope of love, I chose this girl alone as my principal companion.
Veneris: conjecture for virginis in the text.
letus (= laetus) + abl.: rejoicing in
forma: beauty (forme = formae)
desum: to be absent
adsum: to be present
enormis: (out of the norm) wicked
cum hac feci geminum cor meum uniforme: with her I have made my single heart double
rerum natura: the world
nichil = nihil
amarus: bitter
conditio, onis (f.): agreement, law, condition (clas. Lat. condicio)
dolus: fraud, malice
invidia: envy, grudge
scissura: division, split